source: updatesofts.com
Kitaro's style is the epitome of the contemplative, highly melodic synthesizer music often associated with the new-age movement. This Japanese composer taught himself to play electric guitar in high school -- inspired by the R&B music of Otis Redding. In 1972 he met the innovative German synthesist Klaus Schulze during a trip to Europe. Kitaro was hooked. He built his first synthesizer and began experimenting with all kinds of unusual sounds. His first solo album, Astral Voyage, appeared in 1978 and quickly gained a cult following. Two years later, he produced the first of several soundtracks for Silk Road, a Japanese television documentary series that ran for five years. Several albums of music from Silk Road were released to a growing international contingent of fans who admired his combination of lush, majestic textures and gentle, almost naive, melodies. Kitaro, however, was still considered an underground artist in America until he signed with Geffen Records in 1986, which re-released seven of his earlier albums and gave him the support to expand his scope in many ways. For instance, after years of creating albums in the privacy of his home studio near Japan's Mt. Fuji, Kitaro produced his 1987 release, The Light of the Spirit, with the help of Mickey Hart. The album featured an array of American musicians and was nominated for a Grammy Award in the Best New-Age Performance category.
Kitaro - 1979 From The Full Moon Story
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Kitaro - 1981 Silk Road III (Tunhuang)
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Kitaro - 1999 Thinking Of You
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Kitaro - 1999 Noah`s Ark
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Kitaro - 1997 The Soong Sisters
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Kitaro - 1997 Cirque Ingenieux
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Kitaro - 1996 Peace On Earth
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Kitaro - 1996 Kitaro`s World of Music (Yu-Xiao Guang)
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Kitaro - 1995 An Enchanted Evening [live]
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Kitaro - 1998Gaia-Onbashira
1. Yamadashi: Tanne / Prayer
2. Misty
3. Gaia
4. Wood Fairy
5. Satobiki
6. Kiotoshi
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Kitaro - Spiritual Garden
After only two volumes, Kitaro has taken a break from his Sacred Journey of Ku-Kai series, based on his travels to the 88 temples of Shikoku. Those temple journeys must have been tiring, because Spiritual Garden is Kitaro at his laziest and haziest. It's not just the somnambulant melodies, predictable sample-and-hold gurgles, and whooping Korg synthesizer lines that make it uninspired. Kitaro himself seems bored, barely bothered to develop anything beyond rudimentary pentatonic scales, crudely arranged drone pads, and tinkling bells. In the 1970s, Kitaro brought melody to space music and carried that through to ambitious works of orchestral world music on albums like 1990's Kojiki. But to listen to Spiritual Garden is to hear someone for whom time is moving backwards, oblivious to more than the quarter century of space, new age, and ambient music released since his debut. Whether it's the Pink Floyd space guitar at the end of "Sunlight Dancing" or the native flute, acoustic guitar, and burbling brook of "Wind and Water," Kitaro is locked in a parody of new age music, his early inspiration now worn into cliché. Fans of the synthesist should find a lot of familiar territory here, and well they should. The same music is already in their Kitaro collection.
1. Gentle Forest
2. The Stone And The Green World
3. Sunlight Dancing
4. Moon Flower
5. Wind And Water
6. Moon Shadow
7. Love For Elka
8. Hydrosphere
9. Quasar
10. White Night
11. Spiritual Garden
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Kitaro - Dream
Featuring the vocals of Yes’ Jon Anderson, Dream is full of awe-inspiring moments that revolve around the themes of the spiritual, romanticism and love. It is beautifully scored with Kitaro’s signature sound along with orchestral instrumentation.
1. Symphony Of The Forest
2. Mysterious Island
3. Lady Of Dreams
4. A Drop Of Silence
5. A Passage Of Life
6. Agreement
7. Dream Of Chant
8. Magical Wave
9. Symphony Of Dreams
10. Island Of Life
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Kitaro - 1997-Heaven And Earth
A particularly melodic and rousing orchestral score, with rich, beautiful and sweeping themes - particularly the love theme - mixed with eerie synthesized ambient pieces of an amazing sound design, a couple of dissonant, ominous and dark action pieces and 3 lovely Vietnamese folk songs. Dense arrangements, fanciful harmony and a diverse instrumental ensemble of pan flutes, choir, a Randy Miller-headed full symphony orchestra, erhu (Chinese violin), shamishen (plucked lute) and dense percussion fronted by timpani interweaved with cleverly-built electronics make up for this noble, heartfelt, epic and sensational score of a strong eastern touch.
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Kitaro - Sacred Journey of Ku-Kai
In the face of the many tragedies of September 11, 2001, the tribulations of Kitaro don't amount to much--he got grounded in Hawaii for a few days while en route to Japan. But the unscheduled layover did give the Japanese musician a chance to ponder the state of the world and his music in it, and the results are one of his best CDs in years. Inspired by those events, Kitaro began making a pilgrimage to the island of Shikoku which has 88 temples, each with its own distinct temple bells. Kitaro has recorded those bells on his as-yet-uncompleted trek and works them into the fabric of The Sacred Journey of Ku-Kai, the first of a projected multi-CD series. Kitaro creates landscapes as meditative as any he's conceived and with more open space to allow his flutes, electric sitars, Chinese huquin (violin), pipa, and of course synthesizers to breathe. Although Kitaro occasionally hits the bombastic cadences and hyper-glycerin melodies that often mar his work, he taps into a more refined spirit on tracks like "Michi" with its Zen garden flow and the ritual space of "Gi," featuring Tibetan flutist and singer Nawang Khechog
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